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May 27th, 2014

Pope’s Palace of Avignon, the Setting for My Novel Muse

Here’s a new YouTube video that takes you on a tour of the Pope’s palace in Avignon. We begin outside the west façade of the palace, where a busker is entertaining for coins, enter through the double portcullis, take a look around the courtyards, peer out of the Pope’s indulgence window. Then we join the secret palace tour to see inside a room with a decorated wooden ceiling and go up the corkscrew staircase, the only one that goes from top to bottom. We emerge on the roof, where the wind is blowing. From here, we see a 360 degree video of the city below. I had fun putting this together from my own photos and videos of the palace. I hope you enjoy it.

April 16th, 2014

Getting into the Mindset of Solange

Getting into the mind of a literary character is a gradual process, just as it is with real people. My biggest wow moment in my understanding of Solange Le Blanc in Muse came when I was on the secret tour of the popes’ palace in Avignon. I stared at the bare walls of a basement chamber trying to imagine the décor of the Pope’s bathing room as the guide was describing it . . . read more

March 15th, 2014

Secrets of the Avignon Popes in Muse

Mary on the roof of the pope's palace

Muse is set in medieval Avignon during the period when the popes resided there, rather than in Rome. Writers such as Francesco Petrarch flocked to the city to seek patronage from the Pope and cardinals. The city was bursting with craftsmen, merchants, goldsmiths, and money lenders as well as the architects, master masons, and artists who worked on the Pope’s immense palace. Under Clement VI, who appears in Muse, the palais des papes became the most celebrated court in Europe, a salon for the artists, musicians, and intellectuals who were the avant-garde of the Renaissance. At the beginning of the 14th century, Avignon was a city of 5,000 people. It grew by a thousand a year as men came to the papal city to seek their fortune and curry favour with the Pope, who was centralizing religious power in himself. The Pope behaved more like a monarch than a spiritual leader. The main symbol of his opulence was the palace itself . . .

. . . continue reading at Mary Novik’s website